On Sundays We Second Line documents Black New Orleans as living memory in motion. The second line is approached not as a spectacle, but as a communal ritual where sound, movement, and presence collapse past and present. Sundays become a sacred pause, when Black communities reclaim the street through brass, rhythm, and collective Joy.

The work reflects how Black Culture in New Orleans transcendes Linear Time. Ancestral rhythms echo through contemporary bodies, turning public space into a spiritual corridor. Brass bands act as both invocation and archive, carrying memory through repetition and improvisation.